Born in Melbourne in the eighties and immersed in graffiti subculture, Adair's refined exploration of medium, is a clear progression from an adolescence spent spraying walls with pressurised paint. The picture perfect homes dotted across flat dibond surfaces are a personal response to the illusion of the idyllic family home through the means of architecture influenced by a professional career focused around design and interiors.
Viewed from afar, the works appear as monochromatic colour images from the mid-century architecture era. Adair engages many processes while producing the romantic pieces, first documenting the dwellings using photography and digitally creating halftone renderings before spending countless hours meticulously airbrushing the works by hand.
The addition of hand bent neon lights are used to accent each structure and invite the viewer closer to a more intimate level where the swirling electricity and softness of the airbrush can be appreciated on a more personal level.